Our Farmhouse Tour - Our Dining Room Story

Eclectic Dining Room design by New York Photographer Rikki Snyder

This is our dining room. It is one of two identically sized and placed rooms in the 1751 part of our house. In a typical Cape Style house the design is very basic and exact. Our house has the same placement of windows in both of the front, square rooms. On the inner wall, there is a Rumson (very narrow) fireplace which joins the large chimney flue with the two other fireplaces on our first floor. They still all work and function. On the outer walls of the dining room, there are a total of 3 windows.

When I was a kid, my family had a "formal" dining room that got used for Sunday dinners and holidays. Most of the time, the room was a catch-all for mail. I used the dining room table to lay out fabric and cut out my sewing projects, of which there was always many things in progress. To say that I am okay with "dining rooms" being used for a multitude of purposes would be an understatement. Truth be told, we don't use this room too often during the year. It's main function is to hold all the stuff we need to keep dry and neat for our Farmers' Market booths and for my shipping of books, postcards, etc.

Just because a "dining room" is going to be a multi-use room, doesn't mean it has to be ugly. When we moved here, I had a vision for our dining room - of vines and birds. This room, of all the rooms in my house, is a homage to the family home and extended family I grew up with. In the dining room of my youth, Mom had chosen a quite wild wallpaper. It was full of vines, squirrels, monkeys, and birds on an off-white background. I can remember that she wasn't sure with what she had picked out after the paper was applied to the walls. We all used to sit there joking about the animals on the wall. I obviously have good memories of all those family dinners in that room. That wallpaper is no longer in Mom's house. She replaced it with something tamer.

Eclectic Dining Room design by New York Photographer Rikki Snyder

When we bought our farmhouse in 1998, it was shortly after my great-Aunt Jennie's home was being broken up. Aunt Jennie was a big part of our family life - she was the sister of my grandfather Arch who had died way long before I was born. Aunt Jennie was a kind, warm-hearted woman with neat bluish-gray hair who lived with her husband Uncle Harry and her niece (who we called Aunt Boots) in half of a double house across town from us. The two of them (the Aunts) were always dressed in house dresses with those long aprons with big pockets that were edged in narrow bias-binding. She and my grandmother Frieda were sister-in-laws and the best of friends. When we were little, my dad would take us to visit "Jen" at 1 Locust Avenue after church on Sundays. We often were invited to Sunday dinner there at their small home. I still vividly remember the lay-out of the their home - sun-porch, living room, dining room, old-fashioned kitchen, back stairs, and yard. My immediate family was large - 5 girls and Mom and Dad. When anyone invited us, it was a huge amount of work. We always felt loved and wanted and our older relatives encouraged us to no end - in whatever it was that we were interested in. How fortunate were we to have felt loved and worthy as a child?

I cannot remember exactly what Aunt Jennie served us to eat on those Sunday afternoon dinners but I do remember the desserts. There was always some delectable home-baked goodie that made the meal complete. My favorite was apple kuchen. After dessert, Aunt Jen would send around a "candy dish" that was made of orange glass with a flat lid and a black knob. That dish was always full of candy whenever we went to visit and I remember the anticipation of choosing some kind of sweet treat. 

When my cousin "Uncle Don" was splitting up his mom's house, the big problem was what to do with the dining room furniture. It was big and heavy and noone was interested in it. He called an antique dealer and the guy offered him $200 for 6 oak chairs, a big oak table, and 3 oak sideboards. My "uncle" was less than pleased with the offer and he called Mom to see if she had any ideas. She called me to see if I might want Aunt Jennie's furniture. The deal was that I had to pay to move it but I could have it for free. 

I jumped at the chance. I had a relatively empty farmhouse and I remembered the furniture. Heavy and chunky with carving. It had been bought in the 20's when Aunt Jennie and Uncle Harry had married and it was used in their home for all those years. I remember the table and the awful chunky legs that were uncomfortable because something was always poking you when you were jammed in with 15 people sitting at one table eating Sunday dinner. But I also remembered the conversations, the love, the food, the sweets that were all part of my child-hood. I told my mom to tell Uncle Don that I would be really happy to have the furniture in our house.

One fall day, a moving van arrived with a whole bunch of furniture. The van drove down our dirt road slowly, of course wondering where the heck they were going. Two huge guys from Newark, NJ, who had most likely never been in a place like ours, knocked on the door. In came the 6 chairs, the huge table, the 3 sideboards. I gave them their $700 and then I had to figure out what to do with it all.  Thanksgiving was coming and I was the host.

I looked at the furniture for days. I was not at all very fond of the heavy oak wood - the color was uninteresting to me and it just didn't work with my style. I loved all the carving of the pieces but thought the wood grain just made it all too much. All these years later, the whole development of this room is a bit fuzzy to me - Julia was about two. Thinking back, I think Aunt Jennie's furniture inspired me to paint the mural on the walls. I had already painted the room a washed shade of orange (layering at least 10 colors to get the perfect shade). The furniture is Jacobean style. I was not a stranger to that era of art and decoration as I had stitched many a Jacobean inspired kit of crewelwork embroidery as a teenager.

One early fall day, I dragged out the paints and the Sharpie marker. With my Sharpie, I drew long curving vines from ceiling to chair rail. I mixed up a bunch of colors, combining acrylics with latex paints, making a "palette" of deli containers that could be closed and stored without drying out. For two days, I painted and sponged leaves, flowers, birds, eggs, pomegranates, curly grape tendrils. The scale was large and loose. I did not plan placement, nor design - I just did it. When all the motifs were complete, I lined them all with thinned down black acrylic paint using a very small lining brush which helps for them to pop from the orange background.. Below the chair rail, I mapped out a plaid design made with blue "painter's tape", layering the different blocks of color in a series of steps.

Eclectic Dining Room design by New York Photographer Rikki Snyder

The whole thing didn't take more than 3 days. I stood back and was happy with myself and the fact that I took the plunge to take an idea out of my head and instead of thinking about it for years, actually act on it. In the beginning it was about economy - I love wallpaper but I could not afford what I would have wanted. This mural was done for fun, for self-fulfillment of my artistic vision, my love of colors, and for economy. And to make a cozy home and room to celebrate Thanksgiving at here at the farm.

After the mural was done, it was clear that the furniture needed an overhaul in order to fit into my vision for the room. I thought that if it was darkened, it would look better. A friend suggested that I thin down some oil paint and brush it on so that it was more like a stain. I did that and it was the perfect solution. A couple years after I faux-darkened Aunt Jennie's furniture, I visited the MFA in Boston. There I saw a piece of English furniture from the 1600's that one of my sideboards must have been copied from. It was dark, dark, dark and then I knew I had made the right decision with the dark stain.

Eclectic Dining Room design by New York Photographer Rikki Snyder

Since I did the initial decoration to the dining room, I have gone on to collect ceramics that look good with the walls and add to the clutter. I taught myself to paint oil paintings because I couldn't afford to buy art. The paintings are of sunflowers and jugs and vases, of course. You can see some of the real pottery in the painting. The chandelier came from the Brimfield Flea Market - it is brass and only holds candles. I use a lot of embroidered Indian fabrics on the tables and sideboard which I have also picked up over the years at Brimfield. This dining room serves as the "once a year" Thanksgiving celebration for my extended family. I wonder if my nieces and nephews will remember their dinners at our farmhouse as fondly as I do the ones at Aunt Jennie's table. I'll just hope.

The walls and furniture have gone on to be photographed many times. Here they are with one of the oak chairs shown as the cover of my embroidery book Colorful Stitchery.

From Colorful Stitchery, photo Kevin Kennefick

And here is the large sideboard with pillows tucked into it from that book too.

From Colorful Stitchery, photo Kevin Kennefick

Hope you have enjoyed this back-story on the walls and collections in our Farmhouse. A question came in from a reader. She wanted to know what color the walls are in the room really are because the 2 photographers came up with different looks to the orange wall. What a great question. The photos Rikki Snyder took for Houzz were shot without any scrims, drapes or blockage to the light coming in the windows. As we all know, light is what make photographs and colors look a certain way. Kevin Kennefick, the photographer for Colorful Stitchery, blocked all the light coming in from the windows so that the furniture and the walls look different. He also shot for print and Rikki was shooting photos for the web. Your computer monitor also makes images look different colorwise. Which one is right? Depends on the light, the time of day, sun or clouds or rain. Hope that clears up the differences.

Have a great weekend everyone. If you haven't entered, today is the last day of the Kaffe Fassett Dreaming in Color Book Giveaway.

The Living Room

Here's another peek into our farmhouse courtesy of Rikki Snyder and Houzz. This wall of bookcases is at the west end of our long living room. The bookcase was here when we moved in and was probably added to the room in the late 1940's when a local architect from Greenfield named Jimmy Britton bought our farmhouse to use as a summer house for his wife and 5 children. (Greenfield is only 8 miles away!) Mr. Britton is a local legend in old house circles in these parts. He was evidently involved in the creation of Historic Deerfield and many of the details he added are similar to those at Historic Deerfield. Mr. Britton is probably the reason our house is still standing because it was evidently in rather poor shape when he bought it. He had to replace much of the fieldstone foundation with cement and all the windows. He added an ell to the east side of the house which I will show you tomorrow. We are lucky he kept much of the original feeling of the original 1751 cape style home. Our home has an original large center chimney fireplace with working fireplaces in the three main downstairs rooms and the original domed bread oven which we use to make our own wood fired pizza.

Our Living Room by Photographer Rikki Snyder

I painted the bookcases a bright green color when we first moved in. I'm sure Mr. Britton was rolling over in his grave. It looks rather bright in the photo but when you are actually here in the room, it does not read as bright. It is full of books on textiles, animals, and farming - no surprise. The hanging lanterns in the window were a gift from my friend Sally. The lamp in the window is one of my own painted lampshades. The lamp on the left needs to be fixed and if I can just find someone to do it I will be happy. We decided to leave it in the picture because it was so quirky looking. The orange cashmere throw on the chair on the left is from my book Colorful Stitchery.

Our Living Room by Photographer Rikki Snyder

The photo above is a little detail shot. The typewriter was my Dad's. He used to send me notes when I was at college that he pounded out on this thing. He would also include a check. I can still hear the clicking of the keys. The photo on the right are portraits of Mark's parents Betty and Norman from the 1940's. I never knew Norman because he died when Mark was young. The desk is from an antique store in Northfield. I just got it. I have been looking for this desk for at least ten years and it finally appeared. I used some of the advance from my upcoming book to buy it. I always buy a little something for our house with an advance so that I can say "Oh yeah, that desk is the sunflower book." Otherwise the money disappears into the ether.

Our Living Room by Photographer Rikki Snyder

Immediately to the left of the bookcase is this wall. I painted the wood paneling using a dragging technique. I painted a base of yellow and then using thinned olive colored oil paint, I dragged the second color on top. I forgot to paint the outlet cover. Oh well. The chest is from my Aunt Jennie. It was an ugly color oak when I got it and so I painted it this gorgeous shade of red with glossy oil paint. I love it. The lampshade is another I painted. The base I had assembled by a local guy out of old lamp pieces I collected at flea markets and antique stores. The two oil paintings are by me. The pig was the first pig I raised - her name was Pinky and because she fed us, I thought she deserved to live on in our home as art.

The Staircase by Photographer Rikki Snyder

At the other end of the living room is this stairwell that goes to the second floor. That is handsome Ziggy there on the stair tread. I did a colorwashing treatment to make the mottled turquoise background on the wall - there are probably 5 colors layered on that wall all put on with old toweling. To make the green stripes, I put up two pieces of blue painters tape an inch apart and then stippled the green between it. To make the flower and the leaf shapes, I used kid's fun foam mounted on insulation board. I have a tutorial for this technique (on fabric though) here on the blog. The stair treads were colorwashed too - this time using latex paint and building up 3 colors of paint over a primer. I need to re-do them - one day. The little chair came from Mark's parents and the painting is by me of amaranth from the garden.

Thanks again Rikki for taking the photos! Hope you all are enjoying the sneak peek.